http://www.watoday.com.au/lifestyle/lifematters/the-ugly-truth-about-dating-20100830-145ch.html?from=age_ft
http://www.theuglybugball.net/index.php
...would be interesting to have a scroll through and see whether these people ARE actually ugly, or just have self-esteem and body image issues.
Monday, August 30, 2010
Tuesday, August 24, 2010
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Life-sized mannequins
I was at Myer today, and did a double take when I saw these two mannequins for Berlei:
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Something was not right... I stood there looking and trying to understand what was making me look... and then it struck me... they were real-life-woman-sized! Maybe I didn't have to feel fat every time I used the changing rooms anymore?
Put these in the trash I say:
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Something was not right... I stood there looking and trying to understand what was making me look... and then it struck me... they were real-life-woman-sized! Maybe I didn't have to feel fat every time I used the changing rooms anymore?
Put these in the trash I say:
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Sunday, August 22, 2010
Election 2010
Yesterday started out so positively. For the first time in my life I was in a marginal seat (Melbourne), where my vote could actually make a difference. The flip side of that was the unrelenting barrage of mail, people coming to our door, people at the train station, people at the tram station...
The labour candidate (Cate Bothwell) was at the school where I was voting, doing a meet and greet of the waiting line of people. I avoided eye contact; seeing her in person made me feel bad for not voting for her. Both candidates put a massive effort in, but people vote for the party, and it's not her fault her party ran such a crap campaign.
We invited a few people over the watch the ABC live coverage. It seemed so likely that Labour will scrape in. But they didn't :( Now our fate is in the hands of 5 independents, three of whom are ex-Nationals.
The labour candidate (Cate Bothwell) was at the school where I was voting, doing a meet and greet of the waiting line of people. I avoided eye contact; seeing her in person made me feel bad for not voting for her. Both candidates put a massive effort in, but people vote for the party, and it's not her fault her party ran such a crap campaign.
We invited a few people over the watch the ABC live coverage. It seemed so likely that Labour will scrape in. But they didn't :( Now our fate is in the hands of 5 independents, three of whom are ex-Nationals.
Friday, August 20, 2010
Tuesday, August 17, 2010
Rediscovering: Talking Heads
I would like to share this review of their amazing “Best of” album, which expresses my thoughts about it much clearer than I could:
It's brave for a band to put out an eighteen-track best of, but in the case of Talking Heads it's clear from the calibre of this record that they have more than enough songs to justify such a lengthy compilation.
For the uninitiated, it's the perfect introduction to a band whose eccentricity and inventive cros-pollination of influences have often defied categorisation. The days of being part of the New York art punk scene, opening for the Ramones are documented in first singles Love --> Building On Fire and Psycho Killer. The long-standing love affair with soul and funk is evident on the Al Green cover Take Me to the River and in David Byrne's impressive funk rhythm guitar duel with Tina Weymouth's bass on Found a Job.
Further into the band's career, the scope of influences broadens, and Byrne's love of what's now called 'world music' rhythms becomes evident - the groundbreaking Once In a Lifetime and final song (Nothing But) Flowers being two examples. The electro dance scene of the mid '80s makes its mark on tracks such as Girlfriend Is Better and Burning Down the House, both of which reveal a penchant for some incredibly retro-sounding keyboards (one of the few factors to date Talking Heads' sound).
Like the band's music, David Byrne's voice often divides opinion. It's not to everyone's taste and many dislike its somewhat reedy quality and jerky delivery. But his talent for a great melody usually far outstrips the limitations of his vocal chords. The charming This Must Be the Place (Naive Melody) is pure unadulterated pop, as is the euphoric and strangely timeless And She Was.
Not only that but the erudite, often humourous lyrics are intriguing: topics range from narratives of an articulate yet psychotic murderer (Psycho Killer) and being on the run (Life During Wartime) to reflecting on the meaning of life itself (Road to Nowhere, Heaven, Once in a Lifetime...actually there's quite a few of those).
Far from being just arthouse oddballs who struck lucky with a few hits, Talking Heads were quite simply one of the most important bands of the '80s. In an ideal world, everyone would own at least one Talking Heads record and if you do only want to own one, this is the one to have.
It's brave for a band to put out an eighteen-track best of, but in the case of Talking Heads it's clear from the calibre of this record that they have more than enough songs to justify such a lengthy compilation.
For the uninitiated, it's the perfect introduction to a band whose eccentricity and inventive cros-pollination of influences have often defied categorisation. The days of being part of the New York art punk scene, opening for the Ramones are documented in first singles Love --> Building On Fire and Psycho Killer. The long-standing love affair with soul and funk is evident on the Al Green cover Take Me to the River and in David Byrne's impressive funk rhythm guitar duel with Tina Weymouth's bass on Found a Job.
Further into the band's career, the scope of influences broadens, and Byrne's love of what's now called 'world music' rhythms becomes evident - the groundbreaking Once In a Lifetime and final song (Nothing But) Flowers being two examples. The electro dance scene of the mid '80s makes its mark on tracks such as Girlfriend Is Better and Burning Down the House, both of which reveal a penchant for some incredibly retro-sounding keyboards (one of the few factors to date Talking Heads' sound).
Like the band's music, David Byrne's voice often divides opinion. It's not to everyone's taste and many dislike its somewhat reedy quality and jerky delivery. But his talent for a great melody usually far outstrips the limitations of his vocal chords. The charming This Must Be the Place (Naive Melody) is pure unadulterated pop, as is the euphoric and strangely timeless And She Was.
Not only that but the erudite, often humourous lyrics are intriguing: topics range from narratives of an articulate yet psychotic murderer (Psycho Killer) and being on the run (Life During Wartime) to reflecting on the meaning of life itself (Road to Nowhere, Heaven, Once in a Lifetime...actually there's quite a few of those).
Far from being just arthouse oddballs who struck lucky with a few hits, Talking Heads were quite simply one of the most important bands of the '80s. In an ideal world, everyone would own at least one Talking Heads record and if you do only want to own one, this is the one to have.
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